I'm taking photos through the frame of the train window.

Each journey generates thousands of images - fleeting, peripheral moments that might otherwise go unnoticed. Only later, in the edit, do I become the photographer: reaching back through time, isolating details, and weaving fragments into short video works.

Using the train window as a constant frame, I collect individual gestures - a kiss, a bird in flight, a field of tulips, a stretch of coastline - and stitch them into linear panoramas and rhythmic sequences. Repetition and accumulation transform these moments into patterns. The frame becomes a tool for understanding scale, for making the vast graspable.

These works invite viewers to travel with me, to see the overlooked, and to recognise themselves within the passing landscape when I share my work online. They form a social network atop the rail network - a quiet attempt to connect across distance through shared, framed moments of everyday life and the glass of the train window.